Interview': Q&A with Nathan Stewart-Jarrett

The Philips British Television Academy Awards are tomorrow - haven't they come around quickly? Misfits is the most-nominated show at the ceremony, so we thought it would be a good idea to chat to another of our favourite community service superheroes. We've already spoken to Iwan Rheon and Antonia Thomas, so we rang Nathan Stewart-Jarrett (Curtis) and had a natter about Misfits' BAFTA chances. We also talked about the upcoming third series, so read on to find out what Nathan had to say...

So, what do you think Misfits' chances are of picking up a BAFTA tomorrow?
"Ooh! I think they're good. We just feel really honoured that we've been nominated again. It would be lovely to have a win, but I think it's really nice that we are there."

Do you think you'll be nervous?
"Oh my God, yes, of course! I already am!"

Have you already started thinking about the ceremony? Have you picked out your clothes?
"All of that stuff has happened. I think the wonderful thing is that we're a little bit more relaxed than we were last year - we don't have that sense of panic. But yeah, we're going to still be nervous. We're all meeting beforehand to have some Dutch courage before walking down the carpet!"

In the 'Best Drama Series' category, Misfits is up against Being Human, Downton Abbey and Sherlock - what do you think is your biggest competition?
"Oh, all of them. They're all great shows. Sherlock was such a huge, huge hit, and Downton - they're both doing second series. And Being Human, we were up against them last year. They're big shows, really big. And they've got amazing people in them."

Are you looking forward to spotting people at the ceremony?
"Oh my God, that's my favourite thing! Yeah. It's kind of like everyone's there, aren't they? I think last year we had Julie Walters an aisle or two away. It was just rubbernecking around the room. Obviously because we were in an auditorium you can't really look around. But this time - this great time - we're on tables, so I will literally be looking around the room just to see who's there. I don't even know who's going but I'll see who's there."

Do you get starstruck?
"Yeah, I'm like a 12-year-old kid! I'll be there with my napkin and my biro!"

Your co-stars Robert Sheehan and Lauren Socha are nominated as well - do you think they could win?
"I hope so. What's really nice is that we're all so young. To be nominated at such young ages is amazing. I think they've been nominated for a reason so there's a good chance they could win and we hope they do."

How will you celebrate if Misfits wins?
"We'll celebrate like last year, but harder."

What happened last year?
"It was just brilliant. It was the best party ever. Some dance moves were explored and invented..."

You're back filming Misfits now - is it strange without Robert?
"It is, yeah. It's weird because you keep seeing places that you've filmed previously and it's like he's a ghost - 'Oh, that's where Robert did this', and, 'That's where we all did that'. So it is a little strange, but there's so much to do that you kind of just get on with it. And our new member is brilliant and funny and wonderful."

So you're enjoying working with Joe Gilgun?
"Oh, Joe is just - he's like a dream. He's just the most hilarious person to have around and just sensitive and really nice. We all feel like we haven't gone anywhere - we've had a break and Joe's just slotted into that. It's lovely."

How does the group get on with Joe's character Rudy?
"We're cool. I don't want to give anything away! We're cool with him. It's a very different take on Nathan's character... I don't know if the characters do the same thing, but they provide the right level of friction, if that's the right word."

You've got your community service outfits back on - can you tell us how or why?
"I can't! I can't."

Ooh!
"It's actually that noise you just made there! I think the event is kind of like that... Do you know what? I think we're back in them. That's all you need to know. We're back. It happens quite early on so you'll soon see."

How did you feel when you found out the characters were getting new powers?
"I think again it's quite exciting - it's like a new take. Obviously originally the powers were based around our personalities or experiences and now we've got a chance to explore a different side of ourselves, which is, as an actor, a really wonderful opportunity to have with the same character. And the series as well, it's really lovely to go down a different avenue."

It's a bit similar because we're still seeing a reflection of the characters' personalities as they're choosing their powers.
"It's still doing that, it is, but it's also about who we want to be. Before it was these powers reflecting who we are, for better or worse. And now they will reflect who we want to be, in a way."

And how do they come out of that - well?
"Do we come out of it well? I think it plays out pretty much in a Misfits style, so some will fare well and some won't!"

We've seen some very strange things on Misfits in the past - what kind of villains can we expect in the new series?
"I think what the show does really well is that some of the villains aren't necessarily villains, they're just people that have something against [the group]. For instance, the first episode of the last series, [Lucy, the shapeshifter] wasn't necessarily a villain, she was someone that was disturbed and had something against Simon, was hurt. I think a lot of them are based within a reality, within a truth. But I'm sure weird and wacky things are going to happen!"

Will Seth - the power dealer - be a big part of the show?
"I believe so, yeah. He's back. I haven't been on set with him yet, but I saw him at the read through and we went for a quick drink, all of us did. But yeah, he's got a role."

We saw Curtis and Nikki in a romance last series but then Nikki died! Curtis hasn't been very lucky in love - will we see more romance for him?
"I think he gets more than he wants!"

Could we be seeing a love triangle?
"It's just... very interesting. But he gets some love. I think he needs it! I think he needs love."

It would be nice for him to...
"Settle down?"

Not necessarily settle down, but just not have everyone dying around him.
"[laughs] Yeah! That's true, that's true."

Even his romance with Alisha ended and now she's going to be with Simon - does Curtis have any feelings about that?
"I think naturally, yeah. We don't really explore them but he does naturally have feelings about that. It's quite funny to play around with that as actors as well, because the banter is that she's left me, she's gone off with him, and it's quite funny. It's not played out, but there are definitely undertones of that."

Can you tease anything else about what's coming up for Curtis?
"Anything you say is like a huge leak! I won't leak. I can't leak. I'm sorry... I'm just going to say what I say every season - different sides, there's more to explore. I don't want to be in trouble!"

Why should we be getting excited for the new series?
"I think this series there's such a difference and all the characters have matured... There'll be curveballs. There are such huge curveballs within the season. But I can't [say too much] - just watch it!"

The Philips British Television Awards will be held in London on Sunday. The ceremony will be broadcast from 8pm on BBC One.

SOURCE: DIGITAL SPY UK

Interview': Q&A with Nathan Stewart-Jarrett

The Philips British Television Academy Awards are tomorrow - haven't they come around quickly? Misfits is the most-nominated show at the ceremony, so we thought it would be a good idea to chat to another of our favourite community service superheroes. We've already spoken to Iwan Rheon and Antonia Thomas, so we rang Nathan Stewart-Jarrett (Curtis) and had a natter about Misfits' BAFTA chances. We also talked about the upcoming third series, so read on to find out what Nathan had to say...

So, what do you think Misfits' chances are of picking up a BAFTA tomorrow?
"Ooh! I think they're good. We just feel really honoured that we've been nominated again. It would be lovely to have a win, but I think it's really nice that we are there."

Do you think you'll be nervous?
"Oh my God, yes, of course! I already am!"

Have you already started thinking about the ceremony? Have you picked out your clothes?
"All of that stuff has happened. I think the wonderful thing is that we're a little bit more relaxed than we were last year - we don't have that sense of panic. But yeah, we're going to still be nervous. We're all meeting beforehand to have some Dutch courage before walking down the carpet!"

In the 'Best Drama Series' category, Misfits is up against Being Human, Downton Abbey and Sherlock - what do you think is your biggest competition?
"Oh, all of them. They're all great shows. Sherlock was such a huge, huge hit, and Downton - they're both doing second series. And Being Human, we were up against them last year. They're big shows, really big. And they've got amazing people in them."

Are you looking forward to spotting people at the ceremony?
"Oh my God, that's my favourite thing! Yeah. It's kind of like everyone's there, aren't they? I think last year we had Julie Walters an aisle or two away. It was just rubbernecking around the room. Obviously because we were in an auditorium you can't really look around. But this time - this great time - we're on tables, so I will literally be looking around the room just to see who's there. I don't even know who's going but I'll see who's there."

Do you get starstruck?
"Yeah, I'm like a 12-year-old kid! I'll be there with my napkin and my biro!"

Your co-stars Robert Sheehan and Lauren Socha are nominated as well - do you think they could win?
"I hope so. What's really nice is that we're all so young. To be nominated at such young ages is amazing. I think they've been nominated for a reason so there's a good chance they could win and we hope they do."

How will you celebrate if Misfits wins?
"We'll celebrate like last year, but harder."

What happened last year?
"It was just brilliant. It was the best party ever. Some dance moves were explored and invented..."

You're back filming Misfits now - is it strange without Robert?
"It is, yeah. It's weird because you keep seeing places that you've filmed previously and it's like he's a ghost - 'Oh, that's where Robert did this', and, 'That's where we all did that'. So it is a little strange, but there's so much to do that you kind of just get on with it. And our new member is brilliant and funny and wonderful."

So you're enjoying working with Joe Gilgun?
"Oh, Joe is just - he's like a dream. He's just the most hilarious person to have around and just sensitive and really nice. We all feel like we haven't gone anywhere - we've had a break and Joe's just slotted into that. It's lovely."

How does the group get on with Joe's character Rudy?
"We're cool. I don't want to give anything away! We're cool with him. It's a very different take on Nathan's character... I don't know if the characters do the same thing, but they provide the right level of friction, if that's the right word."

You've got your community service outfits back on - can you tell us how or why?
"I can't! I can't."

Ooh!
"It's actually that noise you just made there! I think the event is kind of like that... Do you know what? I think we're back in them. That's all you need to know. We're back. It happens quite early on so you'll soon see."

How did you feel when you found out the characters were getting new powers?
"I think again it's quite exciting - it's like a new take. Obviously originally the powers were based around our personalities or experiences and now we've got a chance to explore a different side of ourselves, which is, as an actor, a really wonderful opportunity to have with the same character. And the series as well, it's really lovely to go down a different avenue."

It's a bit similar because we're still seeing a reflection of the characters' personalities as they're choosing their powers.
"It's still doing that, it is, but it's also about who we want to be. Before it was these powers reflecting who we are, for better or worse. And now they will reflect who we want to be, in a way."

And how do they come out of that - well?
"Do we come out of it well? I think it plays out pretty much in a Misfits style, so some will fare well and some won't!"

We've seen some very strange things on Misfits in the past - what kind of villains can we expect in the new series?
"I think what the show does really well is that some of the villains aren't necessarily villains, they're just people that have something against [the group]. For instance, the first episode of the last series, [Lucy, the shapeshifter] wasn't necessarily a villain, she was someone that was disturbed and had something against Simon, was hurt. I think a lot of them are based within a reality, within a truth. But I'm sure weird and wacky things are going to happen!"

Will Seth - the power dealer - be a big part of the show?
"I believe so, yeah. He's back. I haven't been on set with him yet, but I saw him at the read through and we went for a quick drink, all of us did. But yeah, he's got a role."

We saw Curtis and Nikki in a romance last series but then Nikki died! Curtis hasn't been very lucky in love - will we see more romance for him?
"I think he gets more than he wants!"

Could we be seeing a love triangle?
"It's just... very interesting. But he gets some love. I think he needs it! I think he needs love."

It would be nice for him to...
"Settle down?"

Not necessarily settle down, but just not have everyone dying around him.
"[laughs] Yeah! That's true, that's true."

Even his romance with Alisha ended and now she's going to be with Simon - does Curtis have any feelings about that?
"I think naturally, yeah. We don't really explore them but he does naturally have feelings about that. It's quite funny to play around with that as actors as well, because the banter is that she's left me, she's gone off with him, and it's quite funny. It's not played out, but there are definitely undertones of that."

Can you tease anything else about what's coming up for Curtis?
"Anything you say is like a huge leak! I won't leak. I can't leak. I'm sorry... I'm just going to say what I say every season - different sides, there's more to explore. I don't want to be in trouble!"

Why should we be getting excited for the new series?
"I think this series there's such a difference and all the characters have matured... There'll be curveballs. There are such huge curveballs within the season. But I can't [say too much] - just watch it!"

The Philips British Television Awards will be held in London on Sunday. The ceremony will be broadcast from 8pm on BBC One.

SOURCE: DIGITAL SPY UK

INTERVIEW: Serenity Mario Hirzinger

Austrian five-piece Serenity are bringing their symphonic metal and live choirs to the UK to promote third album Death and Legacy. Music News caught up with keyboardist and backing vocalist Mario Hirzinger, pictured far left, who was in Germany looking ahead to the band’s imminent UK shows with fellow melodic metallers Delain.

Music News: Your current album, Death and Legacy, is about historical figures. What inspired this concept?

Mario Hirzinger: It’s better to ask who inspired the concept. It was our singer, Georg, who studied history and geography, and guitarist Thomas' idea. They, along with the rest of the band, are very interested in historical novels, movies and stuff like that and thought a lyrical background in this vein could be a perfect addition to our symphonic sound. And we think it works well.

MN: Guitarist Thomas Buchberger has been quoted as saying the songwriting for this album was a challenge. Why was that?

Mario: I can easily understand Thomas saying so! The new album would have to somehow compete with [album predecessor] Fallen Sanctuary and its strong songs, and considering this, Tom wanted to write his best songs ever. So he had some hard times in his little home studio working on riffs, melodies and song parts. So let's say the level of quality control was quite high. But in the end we were very satisfied with the outcome – and it was not only us but our orchestra producer, Oliver Philipps, who is always asking for high quality demo songs to start orchestra programming with them.

MN: Would you say this record is educational – a lesson in history?

Mario: At least you can see it as an entertaining, less-facts-more-emotions history lesson! Maybe with this we are able to draw some listeners’ attention to historical figures he or she may have missed hearing about. Maybe some people will discover a new approach to a figure already known. Either way, we are happy if the fans appreciate the lyrical work we did for these songs to make them ‘come alive’.

MN: You called upon three guest vocalists - Charlotte Wessels (Delain), Ailyn (Sirenia) and Amanda Sommerville - for the record. How did you choose these?

Mario: We got to know Amanda and Charlotte on the 2009 Kamelot tour and Georg talked to them about a probable future collaboration because we liked their voices a lot. Ailyn visited us at our concert in Granada in 2007 and became a fan of us. Later on, when she was already singing with Sirenia, Georg contacted her (we were already My Space friends at that time) and asked if she was interested in doing guest vocals for us. She was crazy about that and immediately said yes. I guess all three girls had fun recording their parts and every one of them added some unique vibes to our tunes, which we are very proud of now.

MN: The limited edition of Death and Legacy has now sold out. How does this make you feel?

Mario: It really feels great because we could not achieve that within the same amount of time with the release of the last album. So it seems we're growing somehow and the feedback on the work we do is getting better.

MN: You welcomed Fabio D'Amore on bass last year. How has your line-up change influenced the band?

Mario: In a very positive way, I'd say. Of course we were sad at first when Simon [Holzknecht, ex-bassist] told us about his decision to leave the band, but just a few days later we had a very experienced bass player and singer among our team. We finally knew we had chosen the right person when we first met in the rehearsal room and Mr D'Amore performed the songs as though he’d been in the band for several years!

MN: You’re on a European tour right now. How’s it going?

Mario: We are very satisfied so far. Apart from some technical/stage problems in some venues, it really was fun with the girls and guys in the other bands, and the audiences were great. In a few hours we'll be heading to Holland and later on to the UK. The first show will be in Manchester tomorrow [Friday 29 April] and we can't wait to be back in Great Britain where we always had fun times!

MN: You’ve been keeping yourself amused listening to music and watching You Tube clips – any recommendations?

Mario: At the moment, I really love to listen to Dredg’s albums and I'm looking forward to the new one. The latest Seventh Wonder album is also amazing; the new Evergrey CD as well. As for internet video clips, I prefer watching funny stuff like Family Guy or Austrian comedians; of course I also watch recent metal videos or snippets of live recordings that I don't own on DVD. But I normally don't really spend a lot of time browsing the web.

MN: What can fans expect from the UK shows?

Mario: We'll deliver a lot of new songs – surprise! The new, more symphonic material is a blast to listen to live, I guess. The choirs will fascinate the audience because Fabio can do the highest voice, which makes our vocal sensation complete. We also have some new stage design elements with us; hopefully we'll be able to present it on stage every evening. To sum it up, expect some high quality, Austrian, symphonic metal with massive hook lines!

SOURCE: MUSIC-NEWS

INTERVIEW: Serenity Mario Hirzinger

Austrian five-piece Serenity are bringing their symphonic metal and live choirs to the UK to promote third album Death and Legacy. Music News caught up with keyboardist and backing vocalist Mario Hirzinger, pictured far left, who was in Germany looking ahead to the band’s imminent UK shows with fellow melodic metallers Delain.

Music News: Your current album, Death and Legacy, is about historical figures. What inspired this concept?

Mario Hirzinger: It’s better to ask who inspired the concept. It was our singer, Georg, who studied history and geography, and guitarist Thomas' idea. They, along with the rest of the band, are very interested in historical novels, movies and stuff like that and thought a lyrical background in this vein could be a perfect addition to our symphonic sound. And we think it works well.

MN: Guitarist Thomas Buchberger has been quoted as saying the songwriting for this album was a challenge. Why was that?

Mario: I can easily understand Thomas saying so! The new album would have to somehow compete with [album predecessor] Fallen Sanctuary and its strong songs, and considering this, Tom wanted to write his best songs ever. So he had some hard times in his little home studio working on riffs, melodies and song parts. So let's say the level of quality control was quite high. But in the end we were very satisfied with the outcome – and it was not only us but our orchestra producer, Oliver Philipps, who is always asking for high quality demo songs to start orchestra programming with them.

MN: Would you say this record is educational – a lesson in history?

Mario: At least you can see it as an entertaining, less-facts-more-emotions history lesson! Maybe with this we are able to draw some listeners’ attention to historical figures he or she may have missed hearing about. Maybe some people will discover a new approach to a figure already known. Either way, we are happy if the fans appreciate the lyrical work we did for these songs to make them ‘come alive’.

MN: You called upon three guest vocalists - Charlotte Wessels (Delain), Ailyn (Sirenia) and Amanda Sommerville - for the record. How did you choose these?

Mario: We got to know Amanda and Charlotte on the 2009 Kamelot tour and Georg talked to them about a probable future collaboration because we liked their voices a lot. Ailyn visited us at our concert in Granada in 2007 and became a fan of us. Later on, when she was already singing with Sirenia, Georg contacted her (we were already My Space friends at that time) and asked if she was interested in doing guest vocals for us. She was crazy about that and immediately said yes. I guess all three girls had fun recording their parts and every one of them added some unique vibes to our tunes, which we are very proud of now.

MN: The limited edition of Death and Legacy has now sold out. How does this make you feel?

Mario: It really feels great because we could not achieve that within the same amount of time with the release of the last album. So it seems we're growing somehow and the feedback on the work we do is getting better.

MN: You welcomed Fabio D'Amore on bass last year. How has your line-up change influenced the band?

Mario: In a very positive way, I'd say. Of course we were sad at first when Simon [Holzknecht, ex-bassist] told us about his decision to leave the band, but just a few days later we had a very experienced bass player and singer among our team. We finally knew we had chosen the right person when we first met in the rehearsal room and Mr D'Amore performed the songs as though he’d been in the band for several years!

MN: You’re on a European tour right now. How’s it going?

Mario: We are very satisfied so far. Apart from some technical/stage problems in some venues, it really was fun with the girls and guys in the other bands, and the audiences were great. In a few hours we'll be heading to Holland and later on to the UK. The first show will be in Manchester tomorrow [Friday 29 April] and we can't wait to be back in Great Britain where we always had fun times!

MN: You’ve been keeping yourself amused listening to music and watching You Tube clips – any recommendations?

Mario: At the moment, I really love to listen to Dredg’s albums and I'm looking forward to the new one. The latest Seventh Wonder album is also amazing; the new Evergrey CD as well. As for internet video clips, I prefer watching funny stuff like Family Guy or Austrian comedians; of course I also watch recent metal videos or snippets of live recordings that I don't own on DVD. But I normally don't really spend a lot of time browsing the web.

MN: What can fans expect from the UK shows?

Mario: We'll deliver a lot of new songs – surprise! The new, more symphonic material is a blast to listen to live, I guess. The choirs will fascinate the audience because Fabio can do the highest voice, which makes our vocal sensation complete. We also have some new stage design elements with us; hopefully we'll be able to present it on stage every evening. To sum it up, expect some high quality, Austrian, symphonic metal with massive hook lines!

SOURCE: MUSIC-NEWS

Pirates Of The Caribbean Interviews

Well, shiver the mainbrace and splice the timbers if the good ship Pirates Of The Caribbean isn't back for another dose of buccaneering fantasy, zombies and Captain Jack Sparrow. At the box office Disney's franchise has swept all before it with its combination of old-school swashbuckling and new-school effects work. Now producer Jerry Bruckheimer has added 3D, mermaids and a new director, actor's favourite Rob Marshall, to an already heady mix. Some old favourites are back, too. We tracked down one of them, Geoffrey Rush, the salty scallywag behind many of the movie's best moments, as well as Bruckheimer and one of his newbie pirates, Stephen Graham, to their London hotel to make them walk the plank. The question plank. Arrggh,

WATCH VIDEO INTERVIEW (EMPIREONLINE)

Pirates Of The Caribbean Interviews

Well, shiver the mainbrace and splice the timbers if the good ship Pirates Of The Caribbean isn't back for another dose of buccaneering fantasy, zombies and Captain Jack Sparrow. At the box office Disney's franchise has swept all before it with its combination of old-school swashbuckling and new-school effects work. Now producer Jerry Bruckheimer has added 3D, mermaids and a new director, actor's favourite Rob Marshall, to an already heady mix. Some old favourites are back, too. We tracked down one of them, Geoffrey Rush, the salty scallywag behind many of the movie's best moments, as well as Bruckheimer and one of his newbie pirates, Stephen Graham, to their London hotel to make them walk the plank. The question plank. Arrggh,

WATCH VIDEO INTERVIEW (EMPIREONLINE)

Carrie Mac Talks To FemaleFirst

Carrie Mac released her debut album Till I See You Again at the end of April and she is tipped to be one of the biggest stars of 2011.

I caught up with her to talk about the new record as well as hitting the road with Alexander Burke.

-You have just released your new single Till I See You Again, so what can we expect from the record?

I think its a catchy pop song about love. I'm very proud of it! We wrote it in a day and I think its a bittersweet love song about long distance love that isn't working out.

-The video sees you team up with Harvey B.Brown, how did that collaboration come about?

Harvey was approached to my video and he absolutely loved the song and his vision for it was so great that I knew he was the one I wanted to do my video!

Harvey is so talented and it was an honour to work with someone like him!

-How did you find working with Harvey and what was it about his previous work that made you want to work with him?

Harvey's a true professional and is all about the small details so I learnt alot from him regarding how important it is to oversee everything and make sure everything is in its right place to make the overall image perfect!

I loved the Diana Vickers Once video he did and his work with The Saturdays and Girls Aloud.

-You have already been tipped as one of the artists to keep an eye on for 2011 so what do you think of the buzz thats already surrounding you?

It's great to have people finally take notice of me as an artist as I've been doing this for 7 years now so it's been a long process!

But I'm just keeping my head down and working hard to achieve my goal and keep doing something thats my dream!

-How would you describe your sound? And who are your greatest musical influences?

I would say my sound is acoustic/pop. Ohh so many people have inspired me, from Fleetwood
Mac, Tracy Chapman, Jewel, Adele, Christina Aguilera....I could go on!

-An album is also in the pipeline for later on in the year so what can we expect from that?

A mixture of pop tunes, ballads, some ballsy numbers and a bit of stripped back acoustic numbers! I want 20 tracks so I better get to work haha.

- You have been surrounded in music all your life being classically trained in the violin so how and why did you make the transition into pop music?

I've always loved pop music so it wasnt really a transition, I was taught classical music at school with the violin and loved it but my first love has always been pop music.

- After leaving college you decided not to go on to university and went out to gig instead so how did those early shows impact on your development as an artist?

I think I needed to do the ground work and play some truly awful gigs to realise how much hard work it was gonna be and how to grab an audience's attention when they arent really interested in you.

I think those years helped me a lot and help me to this day as I managed myself, got my own gigs and was really finding my own feet in the whole music industry.

I also wasn't in the bubble of university or college so was just working so it made me push myself alot more I feel.

- You have just completed a tour with Alexandra Burke so how was that?

It was amazing! A truly unforgetable experience! I still can't believe I was on it, seems so surreal.

Once of the hardest and best experiences of my life! I learnt a lot about myself and how much you gotta look after your health when you are playing 5 nights a week!

-Finally what's next for you?

I'm going to continue on the album, continue to work hard and continue to have fun.

Carrie Mac Talks To FemaleFirst

Carrie Mac released her debut album Till I See You Again at the end of April and she is tipped to be one of the biggest stars of 2011.

I caught up with her to talk about the new record as well as hitting the road with Alexander Burke.

-You have just released your new single Till I See You Again, so what can we expect from the record?

I think its a catchy pop song about love. I'm very proud of it! We wrote it in a day and I think its a bittersweet love song about long distance love that isn't working out.

-The video sees you team up with Harvey B.Brown, how did that collaboration come about?

Harvey was approached to my video and he absolutely loved the song and his vision for it was so great that I knew he was the one I wanted to do my video!

Harvey is so talented and it was an honour to work with someone like him!

-How did you find working with Harvey and what was it about his previous work that made you want to work with him?

Harvey's a true professional and is all about the small details so I learnt alot from him regarding how important it is to oversee everything and make sure everything is in its right place to make the overall image perfect!

I loved the Diana Vickers Once video he did and his work with The Saturdays and Girls Aloud.

-You have already been tipped as one of the artists to keep an eye on for 2011 so what do you think of the buzz thats already surrounding you?

It's great to have people finally take notice of me as an artist as I've been doing this for 7 years now so it's been a long process!

But I'm just keeping my head down and working hard to achieve my goal and keep doing something thats my dream!

-How would you describe your sound? And who are your greatest musical influences?

I would say my sound is acoustic/pop. Ohh so many people have inspired me, from Fleetwood
Mac, Tracy Chapman, Jewel, Adele, Christina Aguilera....I could go on!

-An album is also in the pipeline for later on in the year so what can we expect from that?

A mixture of pop tunes, ballads, some ballsy numbers and a bit of stripped back acoustic numbers! I want 20 tracks so I better get to work haha.

- You have been surrounded in music all your life being classically trained in the violin so how and why did you make the transition into pop music?

I've always loved pop music so it wasnt really a transition, I was taught classical music at school with the violin and loved it but my first love has always been pop music.

- After leaving college you decided not to go on to university and went out to gig instead so how did those early shows impact on your development as an artist?

I think I needed to do the ground work and play some truly awful gigs to realise how much hard work it was gonna be and how to grab an audience's attention when they arent really interested in you.

I think those years helped me a lot and help me to this day as I managed myself, got my own gigs and was really finding my own feet in the whole music industry.

I also wasn't in the bubble of university or college so was just working so it made me push myself alot more I feel.

- You have just completed a tour with Alexandra Burke so how was that?

It was amazing! A truly unforgetable experience! I still can't believe I was on it, seems so surreal.

Once of the hardest and best experiences of my life! I learnt a lot about myself and how much you gotta look after your health when you are playing 5 nights a week!

-Finally what's next for you?

I'm going to continue on the album, continue to work hard and continue to have fun.

Interview: Alice Gold Q&A

Pop chanteuse Alice Gold may look as bright-eyed and bushy-tailed as the hordes of female singer/songwriters currently in the charts, but this self confessed ball-breaker has seen a thing or two and with a second chance to take a spot at the top, she isn’t taking any prisoners.

- How would you define your music to someone who hasn’t heard it?

Soulful, psychedelic, pop.

- What song are you most proud of on the album and why?

I’m probably most proud of my next single, Cry, Cry, Cry. It’s very pure, I remember just writing it very rapidly and being very excited about it.

It’s all about the need for expression, whether that’s talking about feelings or just crying. I find expression of all sorts just very cathartic and very important and I think so many people are just very quite inside and people don’t always talk about their fears.

- You’re obviously very strong and independent, so is the point of Cry, Cry, Cry that you can cry without sacrificing that?

Yes, it epitomizes that really, it’s kind of saying ‘Let it go, release yourself from the shackles we put ourselves in!’, and as a strong, empowered woman, it’s ok to be weak sometimes and express yourself, the two aren’t a contradiction and they can sit comfortably together.

- You nearly made it once before under your real name, Alice McLaughlin, what went wrong with that?

Nothing really went wrong, I was signed to EMI and it was just the worst label. It got taken over and totally messed up, there was no money for development or anything.

It wasn’t just that the company had problems, I wasn’t with the right team of people and it wasn’t really the right time I guess. They were really trying to push me in a direction that wasn’t me and what I’ve done with this album is to completely do it myself.

I’ve got a new record deal on the basis of the work that I did independently and that’s very important to me and this album. I’m not manufactured, I think many female artists around today are being pushed and told what to release and that exists in the music industry.

I avoided that completely by signing to the best possible label, which is Fiction, ran by Jim Chancellor and home to Elbow and Snow Patrol. He’s a real music lover and that’s important to me, I didn’t want to be pushed in a direction I didn’t want to go in, I’m quite strong minded and I just wanted to do things my own way.

- So why the name change?

It was a new start, and a way of getting away from a lot of people in the industry who knew me. I also got a lot of complaints, believe it or not, about people not being sure of the spelling of McLaughlin.

It was kind of clumsy and I just wanted something strong and simple, I’ve got blonde hair and it was very simple, there was no great depth to the name change except that with this album I knew it was all my best work, all my ‘gold’ records.

- Are you pleased that it’s happening now you’re in your late twenties as opposed to when you were younger?

Absolutely, I do feel like I’m a little bit older than my contemporaries and I feel like I’m really bloody enjoying it because of that.

I really just love playing my music with my band, they’re just wonderful guys and I’m having a ball at the moment.

- How do you think that life experiences have shaped you as an artist?

Fundamentally. I’ve lost people, many people have but a lot of the songs on the album have that as a backdrop. Trying to figure it all out, life and those strong emotions that we all go through, is everything.

Interview: Alice Gold Q&A

Pop chanteuse Alice Gold may look as bright-eyed and bushy-tailed as the hordes of female singer/songwriters currently in the charts, but this self confessed ball-breaker has seen a thing or two and with a second chance to take a spot at the top, she isn’t taking any prisoners.

- How would you define your music to someone who hasn’t heard it?

Soulful, psychedelic, pop.

- What song are you most proud of on the album and why?

I’m probably most proud of my next single, Cry, Cry, Cry. It’s very pure, I remember just writing it very rapidly and being very excited about it.

It’s all about the need for expression, whether that’s talking about feelings or just crying. I find expression of all sorts just very cathartic and very important and I think so many people are just very quite inside and people don’t always talk about their fears.

- You’re obviously very strong and independent, so is the point of Cry, Cry, Cry that you can cry without sacrificing that?

Yes, it epitomizes that really, it’s kind of saying ‘Let it go, release yourself from the shackles we put ourselves in!’, and as a strong, empowered woman, it’s ok to be weak sometimes and express yourself, the two aren’t a contradiction and they can sit comfortably together.

- You nearly made it once before under your real name, Alice McLaughlin, what went wrong with that?

Nothing really went wrong, I was signed to EMI and it was just the worst label. It got taken over and totally messed up, there was no money for development or anything.

It wasn’t just that the company had problems, I wasn’t with the right team of people and it wasn’t really the right time I guess. They were really trying to push me in a direction that wasn’t me and what I’ve done with this album is to completely do it myself.

I’ve got a new record deal on the basis of the work that I did independently and that’s very important to me and this album. I’m not manufactured, I think many female artists around today are being pushed and told what to release and that exists in the music industry.

I avoided that completely by signing to the best possible label, which is Fiction, ran by Jim Chancellor and home to Elbow and Snow Patrol. He’s a real music lover and that’s important to me, I didn’t want to be pushed in a direction I didn’t want to go in, I’m quite strong minded and I just wanted to do things my own way.

- So why the name change?

It was a new start, and a way of getting away from a lot of people in the industry who knew me. I also got a lot of complaints, believe it or not, about people not being sure of the spelling of McLaughlin.

It was kind of clumsy and I just wanted something strong and simple, I’ve got blonde hair and it was very simple, there was no great depth to the name change except that with this album I knew it was all my best work, all my ‘gold’ records.

- Are you pleased that it’s happening now you’re in your late twenties as opposed to when you were younger?

Absolutely, I do feel like I’m a little bit older than my contemporaries and I feel like I’m really bloody enjoying it because of that.

I really just love playing my music with my band, they’re just wonderful guys and I’m having a ball at the moment.

- How do you think that life experiences have shaped you as an artist?

Fundamentally. I’ve lost people, many people have but a lot of the songs on the album have that as a backdrop. Trying to figure it all out, life and those strong emotions that we all go through, is everything.

Sublime Exclusive Interview

FASHION CENTRAL 

1. Tell us something about your career as a fashion designer that people do not know about?

When I started my career I had no idea what direction it would take. I started small and put out a capsule collection of cuts, and designs I loved. They were understated with very little embellishment. It was many years ago when very few people in Lahore where making such clothes. People loved it! From that collection every year there was progression and I realized that there was a need for this aesthetic. I stuck to what I believed in and what I loved to do. SUBLIME became a label synonymous with minimalism.

2. You are an inspiration for Pakistani Women. How do you feel about this?

I hope that I can inspire women in our part of the world that a working woman can be a mother, run a home and fulfill all the roles successfully. There is respect, recognition and a great sense of achievement in being able to do so. Women are great at multi tasking and are capable of achieving great things. I am so proud of the fact that we are able to through our work employ and help so many families out there, in our country there is a great need for this. If you are in a position to inspire it is your responsibility to do so much more through your work. Being socially responsible is key!

3.  What motivated you to come into the fashion industry and become a fashion designer?

I think it was a natural calling; I was always inclined towards this field. After finishing my education in London in Fashion design and Marketing I returned to Pakistan and found that they were endless opportunities and I took what I learnt and my personal aesthetic and put out my first collection and since then there has been no looking back.

4. Why did you name your label “Sublime”?

I have always loved the concept of a higher beauty, grandeur heavenly something out of the ordinary. I love the word Sublime and felt that this is what I always wanted to do. Something SUBLIME!

5. You stock your fashion label Sublime at various places, how do you manage production and stocking and maintaining your own outlet?

It’s a tough job and initially I had a smaller set up we have had to grow with time and expansion. It has been difficult to manage due to logistical issues too and I am in the process of re organizing my production capacity. There is no point in stocking in ten different place if you are doing it half heartedly so I would rather stock at fewer places but give the clients an entire range.

6. Do you work alone on creating an ensemble, from selecting fabrics to creating designs?

Yes that can be viewed as a good thing or perhaps not so good at times, I have to put myself self into the collection entirely and do like to control the design aspect. Sometimes a team’s input can also prove beneficial but I am gradually getting there at the moment it is all being managed by me.

7. You maintain a balance and run your business efficiently; do you have a mentor who you always seek guidance from?

I started Sublime alone and pretty much made decisions along the way that I felt right. I have always tried to be rational, fare and followed my heart and thank fully things have turned out alright. My parents are great at giving me direction in terms of life, home and work; they have been great support and keep giving me perspective.

8. How do you feel when you see someone wearing your designs?

It’s always a great feeling!

9. How do you see the Pakistan fashion industry in years ahead?

I feel that the industry has grown rapidly in the last couple of years if we continue at this rate we can achieve a lot more in terms of fashion becoming a serious business. There has been a change in the industry where designers have started to put out collection seasonally; there is a move towards ready to wear, better quality clothing, and more availability. More and more designers are beginning to stock internationally; there is a general shift in the market and a lot more professionalism.

10. What role do fashion weeks in Pakistan play in taking the fashion industry forward?

I have been showing at all the PFDC Sunsilk fashion weeks so far and have felt that we are given a great platform to show our work seasonally. Each time it is getting bigger and better. The focus is shifting to the business of fashion. It promotes new and old designers on an equal platform, creates a healthy competition in which we get a better quality of work. It has also given designers a discipline which was very necessary to make this industry grow into a professional serious business.

11. Five things people do not know about Sara Shahid?

• I am a dreamer….
• I love music
• I am a bit of a control freak
• I think too much!
• I  always tend to believe that there is good in everyone

12.  Most adventurous experience you have ever had?

Not a very adventurous person …. But have had mini adventures often!

13. What are your future plans for your label?

Lots ahead but as I have always done, is consolidate and move a step at a time. In my mind I have many plans for my label but the future is not in my control I just pray for more success for SUBLIME!

14. What do you think sets Sublime’s design aesthetic and signature style from other labels?

Sublime is a label that has always been known for its less is more design philosophy. The label is known for its cuts and its understated glamour. With each collection I put out my inspiration and a message so it’s not just about the clothes it is about a Sublime lifestyle!

15. Three things that make you proud about the Pakistan Fashion Industry and Pakistani designers?

I am proud to be a part of this industry; it has given us so much. We are what we are because of this country. Contrary to what people may think there is a great deal of camaraderie amongst our group of designers, we do help each other out and I do believe that there is room for all!

16. Any advice you would like to give to the Pakistani youth?

Sublime Exclusive Interview

FASHION CENTRAL 

1. Tell us something about your career as a fashion designer that people do not know about?

When I started my career I had no idea what direction it would take. I started small and put out a capsule collection of cuts, and designs I loved. They were understated with very little embellishment. It was many years ago when very few people in Lahore where making such clothes. People loved it! From that collection every year there was progression and I realized that there was a need for this aesthetic. I stuck to what I believed in and what I loved to do. SUBLIME became a label synonymous with minimalism.

2. You are an inspiration for Pakistani Women. How do you feel about this?

I hope that I can inspire women in our part of the world that a working woman can be a mother, run a home and fulfill all the roles successfully. There is respect, recognition and a great sense of achievement in being able to do so. Women are great at multi tasking and are capable of achieving great things. I am so proud of the fact that we are able to through our work employ and help so many families out there, in our country there is a great need for this. If you are in a position to inspire it is your responsibility to do so much more through your work. Being socially responsible is key!

3.  What motivated you to come into the fashion industry and become a fashion designer?

I think it was a natural calling; I was always inclined towards this field. After finishing my education in London in Fashion design and Marketing I returned to Pakistan and found that they were endless opportunities and I took what I learnt and my personal aesthetic and put out my first collection and since then there has been no looking back.

4. Why did you name your label “Sublime”?

I have always loved the concept of a higher beauty, grandeur heavenly something out of the ordinary. I love the word Sublime and felt that this is what I always wanted to do. Something SUBLIME!

5. You stock your fashion label Sublime at various places, how do you manage production and stocking and maintaining your own outlet?

It’s a tough job and initially I had a smaller set up we have had to grow with time and expansion. It has been difficult to manage due to logistical issues too and I am in the process of re organizing my production capacity. There is no point in stocking in ten different place if you are doing it half heartedly so I would rather stock at fewer places but give the clients an entire range.

6. Do you work alone on creating an ensemble, from selecting fabrics to creating designs?

Yes that can be viewed as a good thing or perhaps not so good at times, I have to put myself self into the collection entirely and do like to control the design aspect. Sometimes a team’s input can also prove beneficial but I am gradually getting there at the moment it is all being managed by me.

7. You maintain a balance and run your business efficiently; do you have a mentor who you always seek guidance from?

I started Sublime alone and pretty much made decisions along the way that I felt right. I have always tried to be rational, fare and followed my heart and thank fully things have turned out alright. My parents are great at giving me direction in terms of life, home and work; they have been great support and keep giving me perspective.

8. How do you feel when you see someone wearing your designs?

It’s always a great feeling!

9. How do you see the Pakistan fashion industry in years ahead?

I feel that the industry has grown rapidly in the last couple of years if we continue at this rate we can achieve a lot more in terms of fashion becoming a serious business. There has been a change in the industry where designers have started to put out collection seasonally; there is a move towards ready to wear, better quality clothing, and more availability. More and more designers are beginning to stock internationally; there is a general shift in the market and a lot more professionalism.

10. What role do fashion weeks in Pakistan play in taking the fashion industry forward?

I have been showing at all the PFDC Sunsilk fashion weeks so far and have felt that we are given a great platform to show our work seasonally. Each time it is getting bigger and better. The focus is shifting to the business of fashion. It promotes new and old designers on an equal platform, creates a healthy competition in which we get a better quality of work. It has also given designers a discipline which was very necessary to make this industry grow into a professional serious business.

11. Five things people do not know about Sara Shahid?

• I am a dreamer….
• I love music
• I am a bit of a control freak
• I think too much!
• I  always tend to believe that there is good in everyone

12.  Most adventurous experience you have ever had?

Not a very adventurous person …. But have had mini adventures often!

13. What are your future plans for your label?

Lots ahead but as I have always done, is consolidate and move a step at a time. In my mind I have many plans for my label but the future is not in my control I just pray for more success for SUBLIME!

14. What do you think sets Sublime’s design aesthetic and signature style from other labels?

Sublime is a label that has always been known for its less is more design philosophy. The label is known for its cuts and its understated glamour. With each collection I put out my inspiration and a message so it’s not just about the clothes it is about a Sublime lifestyle!

15. Three things that make you proud about the Pakistan Fashion Industry and Pakistani designers?

I am proud to be a part of this industry; it has given us so much. We are what we are because of this country. Contrary to what people may think there is a great deal of camaraderie amongst our group of designers, we do help each other out and I do believe that there is room for all!

16. Any advice you would like to give to the Pakistani youth?

Young Knives Interview Thomas 'House of Lords' Dartnall, Oliver Askew

MUSIC-NEWS: Young Knives are a Leicestershire three-piece whose indie-rock has been delighting audiences for years.

Made-up of Henry Dartnall (vocals, guitar), brother Thomas ‘House of Lords’ Dartnall (vocals, bass guitar) and long time friend and musical collaborator Oliver Askew (drums, backing vocals) they strive to bring their fresh faced brand of angular pop punk to the masses whilst donning tweed suits and tank tops.

The plucky threesome won the ‘Road to V’ competition which secured them a slot at V Festival, were subsequently signed to Transgressive Records and their first album ‘Voices of Animals and Men’ was rightly Mercury nominated.

Having just released their third album ‘Ornaments from the Silver Arcade’ Music-News.com caught up with the House of Lords and Oliver in CAMP bar Shoreditch ahead of their headline performance at XOYO that evening to find out more.

See the full uncut interview below:

Young Knives Interview Thomas 'House of Lords' Dartnall, Oliver Askew

MUSIC-NEWS: Young Knives are a Leicestershire three-piece whose indie-rock has been delighting audiences for years.

Made-up of Henry Dartnall (vocals, guitar), brother Thomas ‘House of Lords’ Dartnall (vocals, bass guitar) and long time friend and musical collaborator Oliver Askew (drums, backing vocals) they strive to bring their fresh faced brand of angular pop punk to the masses whilst donning tweed suits and tank tops.

The plucky threesome won the ‘Road to V’ competition which secured them a slot at V Festival, were subsequently signed to Transgressive Records and their first album ‘Voices of Animals and Men’ was rightly Mercury nominated.

Having just released their third album ‘Ornaments from the Silver Arcade’ Music-News.com caught up with the House of Lords and Oliver in CAMP bar Shoreditch ahead of their headline performance at XOYO that evening to find out more.

See the full uncut interview below:

Gold Motel SXSW, USA

Gold Motel is a Chicago-based quintet. Its frontwoman Greta Morgan previously played with The Hush Sound. The band has been touring in support of their debut LP, Summer House, released June 2010. The band made several appearances at SXSW in 2011, and will be releasing their second LP this year. Music-New.com caught up with Morgan before the band’s performance in the SPIN Magazine loft on 6th Street.

Music-News.com: Some writers have referred to Gold Motel as a side project of The Hush Sound. Is that accurate?

Greta Morgan: Well, it really has become a full-fledged, collaborative band. The Hush Sound needed a break. We were going crazy, and driving each other crazy. I can’t really imagine going back at this point.

MN: Your website noted that when you were first in Los Angeles after leaving Chicago, you were hitting up to five gigs a week. Who caught your attention from that local community?

GM: Yeah! There are several. Michael Runion is one. There’s a new band called The Chances who are great. The Like. Haim. I saw a lot of shows at the venue Largo.

MN: You website also stated that you were going for a nostalgic, summery sound with Gold Motel. Which bands, or what else in general, influenced you?

GM: At the time I was living in LA I was studying with this great piano teacher named Elmo Peeler, and he toured with the Beach Boys as an organist and piano player. He helped me understand the arrangements of Beach Boys songs, so I was definitely listening to a ton of that music, and Brian Wilson, along with other major west coast bands like the Mamas and the Papas.

MN: Between Chicago and LA, how would you compare the two music communities?

GM: Well, I think in Chicago there’s a much more loyal music community, probably because there’s a little bit less to choose from. Los Angeles is completely over saturated where every night there are ten shows you would want to see. So in Chicago it is much easier to be in a band, and build a fan base because the audiences are so great and really care. Chicago is also a central place so it’s great for touring. I would say Chicago is better to be in a band, but LA is better to see bands.

MN: Does the Talking Fiction 7” you released this fall ahead of the sophomore album you are putting out in 2011 mark a style change from your first LP and EP?

GM: Oh totally. Gold Motel originally released the Gold Motel EP, and it was essentially me and Dan (Duszynski, Guitar and Vocals). This 7” is more of a ground up collaborative effort involving the full band, which now includes Eric (Hehr), Matt (Minx), and Adam (Coldhouse). That reflects what the new album, and the band moving forward, will sound like. (MUSIC-NEWS)

Gold Motel SXSW, USA

Gold Motel is a Chicago-based quintet. Its frontwoman Greta Morgan previously played with The Hush Sound. The band has been touring in support of their debut LP, Summer House, released June 2010. The band made several appearances at SXSW in 2011, and will be releasing their second LP this year. Music-New.com caught up with Morgan before the band’s performance in the SPIN Magazine loft on 6th Street.

Music-News.com: Some writers have referred to Gold Motel as a side project of The Hush Sound. Is that accurate?

Greta Morgan: Well, it really has become a full-fledged, collaborative band. The Hush Sound needed a break. We were going crazy, and driving each other crazy. I can’t really imagine going back at this point.

MN: Your website noted that when you were first in Los Angeles after leaving Chicago, you were hitting up to five gigs a week. Who caught your attention from that local community?

GM: Yeah! There are several. Michael Runion is one. There’s a new band called The Chances who are great. The Like. Haim. I saw a lot of shows at the venue Largo.

MN: You website also stated that you were going for a nostalgic, summery sound with Gold Motel. Which bands, or what else in general, influenced you?

GM: At the time I was living in LA I was studying with this great piano teacher named Elmo Peeler, and he toured with the Beach Boys as an organist and piano player. He helped me understand the arrangements of Beach Boys songs, so I was definitely listening to a ton of that music, and Brian Wilson, along with other major west coast bands like the Mamas and the Papas.

MN: Between Chicago and LA, how would you compare the two music communities?

GM: Well, I think in Chicago there’s a much more loyal music community, probably because there’s a little bit less to choose from. Los Angeles is completely over saturated where every night there are ten shows you would want to see. So in Chicago it is much easier to be in a band, and build a fan base because the audiences are so great and really care. Chicago is also a central place so it’s great for touring. I would say Chicago is better to be in a band, but LA is better to see bands.

MN: Does the Talking Fiction 7” you released this fall ahead of the sophomore album you are putting out in 2011 mark a style change from your first LP and EP?

GM: Oh totally. Gold Motel originally released the Gold Motel EP, and it was essentially me and Dan (Duszynski, Guitar and Vocals). This 7” is more of a ground up collaborative effort involving the full band, which now includes Eric (Hehr), Matt (Minx), and Adam (Coldhouse). That reflects what the new album, and the band moving forward, will sound like. (MUSIC-NEWS)

INTERVIEW: Panic Bomber SXSW, USA

Panic Bomber, aka Richard Haig, is a rapidly emerging electronic artist from the Miami scene. His shows include live vocals, keyboards, and frequently a 3-piece horn section. He has found success touring the U.K. and North America, and won praise for his 2009 LP, Getting On My Mind, and the 2010 follow-up, Discipline EP. Music-News.com caught up with Richard after his packed show at Uncorked in Austin on March 19th.

Music-News.com: This is your second straight year at SXSW. How does this year compare to last? And how would you compare SXSW to other festivals you have played like Ultra Music Festival?

Richard Haig: This year I have seven total shows, compared to the one I had last year, so it’s a much more break-neck pace, but very worth the stress. SXSW is unlike anything else in the world that I know of. The whole city seems to shut down for a week to the point where you can’t even drive, all for the sake of music. It is a pretty beautiful, unique situation. Ultra is 24 hour parties. There are a lot less artists playing, and the partying is more of the emphasis over artist exposure and music industry activity. Also, the diversity of acts at SXSW is unparalleled. Tonight I played in-between a rapper and a stand-up comedian, with most other acts on the bill being indie bands.

MN: Have the crowds here been responsive to your music?

RH: Well, as my repertoire gets deeper, it gives me a lot of flexibility. At SXSW especially, you don’t know what kind of crowd you are going to get. You have to be up for anything. I can show up to a gig and see it’s a techno party, and I can play a set with less vocals, and keep it minimal. If it’s indie rock bands on the bill, I can do a set with more vocals that’s song based, and less groove based. Actually, my next EP coming out, called Domestic Violins, is a dance, groove based EP, instead of song based, which is an interesting concept for me. In my music, it’s a constant push and pull between indie singer-songwriter, in electronic form, and put your head down, take drugs and dance form.

MN: How does your style of dance music, and the flamboyant, provocative air it carries, work in Austin and the rest of the South as compared to Miami and Europe?

RH: Obviously Miami has a very high threshold for bold, provocative music. I mean, hell, it’s the “City of Heat.” Booty Bass came out of there. Luther Campbell (of Miami based rap group 2 Live Crew) is running for mayor, and he had a song with the chorus, “Dance too much booty in your pants.” (laughs) That’s just the culture we come from. However, as I was talking about earlier, I can adapt to preferences of the crowd and try to find a set that will work best.

MN: Which artists are you particularly enjoying at the moment? And how do you go about discovering new music?

RH: As I take DJing more seriously, I realize it’s part of my job (to discover new artists), so I head to the web, and I listen to podcasts, British primarily. I’m originally from Glasgow, and all my family is back there, so I’m very British at the core. I enjoy these U.K. podcasts because, ya, there’s the trends, like “witch house,” that will be here today and gone tomorrow, but there is more room to be arty over there, and take risks. In Miami, it’s a lot more about the big name DJ, and the bottle service, and less about the art. Through these podcasts, I’ve discovered acts like Totally Enormous Extinct Dinosaur, whose music I can relate to. Another is Total Fucking Pizza Party, who make some really beautiful, weird electronic music out of the Bay Area.(MUSIC-NEWS)

INTERVIEW: Panic Bomber SXSW, USA

Panic Bomber, aka Richard Haig, is a rapidly emerging electronic artist from the Miami scene. His shows include live vocals, keyboards, and frequently a 3-piece horn section. He has found success touring the U.K. and North America, and won praise for his 2009 LP, Getting On My Mind, and the 2010 follow-up, Discipline EP. Music-News.com caught up with Richard after his packed show at Uncorked in Austin on March 19th.

Music-News.com: This is your second straight year at SXSW. How does this year compare to last? And how would you compare SXSW to other festivals you have played like Ultra Music Festival?

Richard Haig: This year I have seven total shows, compared to the one I had last year, so it’s a much more break-neck pace, but very worth the stress. SXSW is unlike anything else in the world that I know of. The whole city seems to shut down for a week to the point where you can’t even drive, all for the sake of music. It is a pretty beautiful, unique situation. Ultra is 24 hour parties. There are a lot less artists playing, and the partying is more of the emphasis over artist exposure and music industry activity. Also, the diversity of acts at SXSW is unparalleled. Tonight I played in-between a rapper and a stand-up comedian, with most other acts on the bill being indie bands.

MN: Have the crowds here been responsive to your music?

RH: Well, as my repertoire gets deeper, it gives me a lot of flexibility. At SXSW especially, you don’t know what kind of crowd you are going to get. You have to be up for anything. I can show up to a gig and see it’s a techno party, and I can play a set with less vocals, and keep it minimal. If it’s indie rock bands on the bill, I can do a set with more vocals that’s song based, and less groove based. Actually, my next EP coming out, called Domestic Violins, is a dance, groove based EP, instead of song based, which is an interesting concept for me. In my music, it’s a constant push and pull between indie singer-songwriter, in electronic form, and put your head down, take drugs and dance form.

MN: How does your style of dance music, and the flamboyant, provocative air it carries, work in Austin and the rest of the South as compared to Miami and Europe?

RH: Obviously Miami has a very high threshold for bold, provocative music. I mean, hell, it’s the “City of Heat.” Booty Bass came out of there. Luther Campbell (of Miami based rap group 2 Live Crew) is running for mayor, and he had a song with the chorus, “Dance too much booty in your pants.” (laughs) That’s just the culture we come from. However, as I was talking about earlier, I can adapt to preferences of the crowd and try to find a set that will work best.

MN: Which artists are you particularly enjoying at the moment? And how do you go about discovering new music?

RH: As I take DJing more seriously, I realize it’s part of my job (to discover new artists), so I head to the web, and I listen to podcasts, British primarily. I’m originally from Glasgow, and all my family is back there, so I’m very British at the core. I enjoy these U.K. podcasts because, ya, there’s the trends, like “witch house,” that will be here today and gone tomorrow, but there is more room to be arty over there, and take risks. In Miami, it’s a lot more about the big name DJ, and the bottle service, and less about the art. Through these podcasts, I’ve discovered acts like Totally Enormous Extinct Dinosaur, whose music I can relate to. Another is Total Fucking Pizza Party, who make some really beautiful, weird electronic music out of the Bay Area.(MUSIC-NEWS)

Track By Track: Fast & Furious 5: Rio Heist

Fast & Furious 5: Rio Heist is possibly the greatest muscle-car heist caper since Fast & Furious. We love it round these parts, so much that a single viewing just ain't enough. In between thumbing through car mags and stocking up on furry dice, Empire tracked down director Justin Lin to get his track-by-track lowdown on the movie's soundtrack. Read it one quarter track at a time...

1. How We Roll (Fast Five Remix) - Don Omar, Busta Rhymes, Reek da Villian and J-doe
Justin Lin: I'm like the least macho guy you'll meet! If you just go for macho, you're trying a little too hard. The goal is always to find soul. When you have two guys of Vin and Dwayne's stature, you're gonna expect a big fight, but if you don't build up the right emotional stakes, it means nothing. It's the same with the music. I think we're deconstructing the idea of machismo.  read more +

Track By Track: Fast & Furious 5: Rio Heist

Fast & Furious 5: Rio Heist is possibly the greatest muscle-car heist caper since Fast & Furious. We love it round these parts, so much that a single viewing just ain't enough. In between thumbing through car mags and stocking up on furry dice, Empire tracked down director Justin Lin to get his track-by-track lowdown on the movie's soundtrack. Read it one quarter track at a time...

1. How We Roll (Fast Five Remix) - Don Omar, Busta Rhymes, Reek da Villian and J-doe
Justin Lin: I'm like the least macho guy you'll meet! If you just go for macho, you're trying a little too hard. The goal is always to find soul. When you have two guys of Vin and Dwayne's stature, you're gonna expect a big fight, but if you don't build up the right emotional stakes, it means nothing. It's the same with the music. I think we're deconstructing the idea of machismo.  read more +